Particles

Contribution to PopcornFX 2.10 Now Released

3D Graphics, Game Effects, PopcornFX / By

The PopcornFX team honored me recently by including content I’ve created as part of the official 2.10 release. As they work towards a version in which user content can be uploaded and shared freely, the team approached me knowing I had a pack of templates and example projects I was intending to share out to other users. I was flattered and pleased to share this content out via an official release like this.

It’s worth noting that PopcornFX is free to download and use for personal learning, as is this content pack. https://www.popcornfx.com/ The content I’ve contributed can be downloaded directly from the editor and is among the “official” learning content and examples.

By including this content in the 2.10 release they have a demonstration and first test of how new nodes and files can be created by a third party and shared among users.

The content is a collection of 31 “templates” or custom nodes I originally created for myself as I worked with PKFX. The nodes are documented and tested and vary widely in both their usage and usefulness. A few are so helpful I use them in practically everything I do now, while others are very specific in their use cases. 

In addition there is a small suite of “example” files showing various effects, each cleanly presented, commented and documented. 

I tend to clean and document files for myself as part of my creation process so it didn’t take much effort to prep these files for the public. Hopefully they will spark interest and prove useful as examples of one user’s workflow, in tasks both simple and advanced.

Read more for descriptions of each of the nodes included:

New nodes

Random Spherical Vector
Produces a pure random vector from a unit sphere.
Random Value In Cone
Generates a random vector in a conical arc with the center by default oriented in the positive Y axis.
Test If Points Intersect Plane
Tests point position to determine if it intersects an infinite plane.
Spring Force
Plug into acceleration. Updated position is the particle position on current frame. Rest position is the point the spring seeks to reach. Spring constant is a measure of the “tightness” of the spring.
Wander Around Position
Randomly moves offset around center point position. Two methods available, with their own strengths and weaknesses. Keep seed values low.
Normalized ID
Applies a unique ID ranging from 0 to 1 for all spawned particles. Only works when there is a total (fixed) number of particles spawned.
Time Based Rand
Instead of a unique value per-point this random function delivers a single random value at spawn or per frame.
Animated Noise
Noise function animated over the effect age.
Linear Probability
Produces a boolean and optional values based on a random probability between 0 and 100.
Spiral Trails
When used in a “trail” layer this template causes resulting trail to be a spiral around the parent particle’s path.
Spin on Axis
Animates an incoming vector (position) to rotate around axis over time.
Point Visibility By Facing
Outputs a number 0 or 1 based on whether a point is on the front, back or edge of the sphere of the point normal.
Sparkle Color
Flickers colors over the particle’s lifespan.
Flicker Value
Flips between two values based on a random noise.
Position On Circle
Outputs a vector which lies on a circle defined by input values.
Oscillator
Oscillate between two values. User can choose between several waveforms via a dropdown on the node. Speed is in seconds.
4 Pole Switch
Choose between 4 inputs via a dropdown list on node.
3 Pole Switch
Choose between 3 inputs via a dropdown list on node.
2 Pole Switch
Choose between 2 inputs via a dropdown list on node.
Value by Distance To Camera
Sets a range of values based on each point’s distance to camera.
Kill by Camera Distance
Deletes particles closer or further than a set distance from the camera. 
Identify Single Point
“Tags” a single point or range of points and returns true when graph evaluates them. Use with billboard “enable” to render a single point.
Newtons Universal Gravitation Force
Simple implementation of universal gravitation. Plug into acceleration. Position should be discretized (updated per frame.) Values are arbitrary, not real-world.
Set Circular Orbital Velocity
Calculates velocity needed to place point into a circular orbit when using a universal gravitation force. Normal vector is typically the effect.up vector.
Position On View Axis
Outputs a position along the axis of the camera into the scene, with distance 0 being the camera position. Useful for defining focal planes etc. 
Color Turbulence
Defines a color based on the location of a point within a vector field.
Spatial Basis Rand
Returns random values based on position in a vector field. Must have a “turbulence” node added to sampler input.
Generate Ring
Distributes all spawned points in a ring or arc. Requires a static (total) number of points.
Generate Cyber Rings
Distributes spawned points into a series of circular arcs. Total spawned points must be static, though they can be animated in the layer.
Generate Line
Distributes spawned points on a line between two input locations. Unlike the debug “draw line” this line is made up of spawned points which can be further animated. Requires a static (total) number of points spawned. 
Random Static
Useful for “glitch” effects. Offsets positions by a random value at random intervals. Spatial mode requires a turbulence sample.

 

Misc Shots

3D Graphics, Creative Work, Examples, Film, VFX / By

I haven’t edited an “official” demo reel in a very long time. People know who I am, and hire me for projects based on peer testimonial and having seen past work directly. A reel just hasn’t been needed, since I’m fortunate enough to be a freelancer who gets approached regularly. So when I started teaching students who knew nothing about me I had the challenge of presenting myself to an entirely new audience who were eager to see some work I’ve done in films. I really haven’t had time to edit much, so instead I spent an evening grabbing various shots from films and the like. Stuff I’ve either worked on directly, supervised, or had some hand in.

I have only grabbed a portion of the films I’ve worked on, plus some TV and game stuff, pretty much in the order they were stacked on my desk. The choices are fairly miscellaneous – at the moment I just don’t have time to go through film after film and say “oh yeah, I did that,” then tighten it all down into an edit with music and polish. I know, this breaks all the rules where I’m supposed to present only the very very best, nothing less. But the policy that seems to work best for me is to just be open, good or bad just get it out there and get back to making the next thing. I will never be a charismatic showman or clever self-promoter. I’m a creative geek and frankly I like showing failures, too. It’s part of the process, and that’s what really motivates me.

So all of that said, here’s about 6 minutes of footage and, well, stuff. I basically play it in the background when I introduce myself to students, so it is what it is. Enjoy!

Article on 80 Level

Creative Work, Game Effects, Houdini, Miscellaneous, PopcornFX, Unity, VFX / By

https://80.lv/articles/using-hooke-s-law-to-create-vfx-effects/

I wrote an article for the game-and-vfx website 80 Level a while back, and it’s gone live. The topic is Hooke’s law as implemented in Popcorn FX (and Unity’s VFX graph.) It’s brief but has been well received, I appreciate the feedback I’ve gotten. A second article for 80.lv centered around Newton’s universal gravitation as implemented in PopcornFX (and Houdini this time) is in the works.

Vorticle Fluids implemented in PopcornFX

3D Graphics, PopcornFX, VFX / By

This is a really crude first approximation of a homebrew realtime fluid simulation using vorticles. The general idea is a sparse layer of particles are queried for position and orientation and used as centers of rotation to simulate turbulent fluids. Even this very simple first experiment is very promising.

No noises, fields or turbulence forces are used, the motion is all directly a result of particles interacting with a layer of vorticles, which I reveal in the latter portion of this video.

Simulation is entirely on the CPU and takes 18ms per frame for 21,000 particles. One nice thing about vorticle simulations is the motion does not change with the number of particles, meaning a simulation can be tuned while running very fast and then the simulation turned up for millions of particles to be rendered in After Effects etc. I look forward to seeing how fast this will run when entirely on the GPU.

Apologies for the tiny video… this is just a screen capture.

Propagation in PKFX

3D Graphics, Game Effects, PopcornFX, Review / By

PopcornFX is a great tool for realtime applications in that it brings to developers a ready-to-integrate particle system which can be used to author sophisticated effects in a nodal/visual style akin to Houdini, ICE etc. I find it much more intuitive than Niagara while easily being as powerful, and it’s integration into After Effects brings those users a level of sophistication with particle effects they simply haven’t had access to before. That said, when I push the limits it understandably can’t chew through the millions of particles Houdini can handle.

For example in PKFX this frost-like propagation effect, which is admittedly computationally expensive, tops out in usefulness at about 50,000 particles. The in-editor framerates are still good (relatively speaking) at 220 ms, comfortable enough for cinematography work in After Effects for example. But when you push the number of particles up beyond that times go up exponentially. By 100k particles (for this particular task, which involves getting neighboring particle information) the editor becomes increasingly likely to crash.

But to be fair this kind of propagation effect is waaay beyond what most realtime engines are engineered to handle. Other effects in PopcornFX can get into the realm of millions of particles without too much trouble, which means those After Effects users have a system which lets them perform most particle effects they are likely to need extremely efficiently… and only need to go to a package like Houdini for the really intensive stuff.

And at the moment these computations are only on the CPU as PKFX is still implementing its GPU support. There is a lot of improvement on the near horizon for these kinds of intensive effects… we may see sph fluids and the like running realtime soon enough.

(It’s also worth mentioning that there is a LOT of room to optimize the effect as built, both with regular settings and as one of the PopcornFX devs points out massive increases in efficiency should be possible by only performing spatial queries on the particles changing values and depositing stable values into a static layer.)

It’s significant that those integrating PopcornFX into realtime tools get a system sophisticated enough that a comparison with Houdini is even possible.

In all, I’m pretty impressed with PKFX and as an effects guy would welcome jobs where it’s integrated into custom pipelines dealing with realtime media even over Niagara and certainly over Unity’s particle system. It is elegant to use without sacrificing power, and it’s universal nature means one day artists might be able to share and use particle assets across multiple engines and custom pipelines.

Newtonian Universe Simulation

3D Graphics, PopcornFX / By

I’ve been using PopcornFX a lot lately and have been using it as a playground to explore some simple physics simulation. For example Hooke’s law and compressible springs:

And it was pretty fun exploring Newton’s law of universal gravitation with a classic “orbit” simulation:

But then it occurred to me… PopcornFX is pretty efficient, why not scale up my basic simulation to handle not only a few orbiting bodies, but hundreds of thousands? While not correct to the universe we live in the result should look a bit like elliptical galaxies, right?

Let’s try it.

Ok then, here’s a screenshot of a sim of around 900k particles, running 30-50ms per frame. Too slow for game work but pretty fast for cinematics, and PKFX is integrated into After Effects so I really should try rendering out a movie.

In motion the effect is mesmerizing, with “galaxies” merging, splitting, devouring each other and for some reason periodically seeming to explode into rope-like strands. Nowhere near physically correct of course, but evocative of space imagery and very beautiful. 

Why no spiral galaxies? In the real world a lot more is going on, with gasses compressing and angular momentum preserved. This little simulation doesn’t account for more than the most basic, crude motion so, alas, the “galaxies” which form are elliptical only and rarely stable for very long.

Popcorn FX fractalFlame

Examples, PopcornFX / By

Popcorn FX is capable of some pretty sophisticated particle effects. With a little effort one can get past the “usual” turbularized effects and push the limits a bit. Here’s a “fractal flame” look made by spawning, coloring and moving particles with layered noise fields. Given the number of particles used to give the soft look it’s not really something you could include in a game or application but was a fun way to explore some techniques which could be used for more efficient effects. You can get a similar look with much better performance using a vertex shader to distort a mesh and a fragment shader with an additive fresnel transparency, but again the point of the exercise was more an exploration of PopcornFX. That said, this does run in realtime with about 24 fps in the editor, pretty nice.

Niagara Game Effects

2D Graphics, 3D Graphics, Game Effects, Niagara / By

I did a little job for a studio in Prague recently which consisted of a series of “spell” effects for a RPG. I can’t show any of those effects of course but along the way I made a number of other interesting little Niagara effects, here are a few:

The images below are a mixed bag, design wise. But they were fun to make. Oddly the brief was to make effects which were baked down into spritesheets, for a mobile release. It was strange, but it did allow me to up some particle counts and rely less on billboards in Niagara. I’m not sure I like the look but it was nice to be able to explore Niagara in this way.