Film

MakeSomeNoise

3D Graphics / By

MakeSomeNoise v1.1.2 is Released

 

What’s MakeSomeNoise?

MakeSomeNoise is a free tool I built for generating procedural noise textures, texture atlas (sprite sheets), and image sequences. It’s a standalone Windows app, just download and run.

What does it do?

  • Mix two layers of noise using common weighted blending modes.
  • 6 different kinds of noise (for now, more are coming).
  • Explore the 3d noise space and preview the noise animating through Z slice at user-defined speed and frame numbers.
  • Export the result as a single frame, atlas or image sequence with clean naming for your use.

Built-in Learning Guide

I added a complete “Guide To Noise” right in the app. Click the help button and you get detailed explanations for every noise algorithm—the history, how it works, when to use it, and pro tips. I wanted to make this tool educational, not just functional. Whether you’re learning about noise for the first time or just need a quick refresher on how these noise functions work it’s all there.

Export Previews & Animation Playback 

You can now preview before export. Want to see what that 16-frame atlas will look like? Preview it. Need to check your animation sequence? Play it back at any FPS from 1-60. There’s also a handy right-click menu for copying the preview to clipboard or jumping straight to your export folder.

Smarter File Management

The app now automatically manages file versions for you (_v00, _v01, etc.), so you’ll never accidentally overwrite that perfect noise pattern you made. Export paths are now fully visible prior to export.

Cleaner, Smoother Experience

I’ve been squashing bugs and polishing the UI. Better tooltips everywhere, improved thread management (no more crashes when you spam sliders), and generally just a more responsive app.

The Licensing Thing

Quick note: The app itself is free to use for anything, including commercial projects. You just can’t sell the app or bundle it for profit without asking me first. But anything you generate with it (textures, images, animations) is completely yours under CC0. Use them commercially, sell them, whatever. No attribution needed (though it’s always appreciated 😊).

Download It!

Ready to make some noise? Head over to the GitHub Release Page and grab the executable. It’s a single 120MB file—download, double-click, and you’re good to go.

First run might take a few seconds while Windows Defender does its thing, but after that it’s smooth sailing.

If you’ve got ideas or feature requests, hit me up on GitHub!

Download: MakeSomeNoise v1.1.2 on GitHub

Happy noise-making! 🎨

– Andy

Change is good. And change is also terrifying. Keep. Creating.

2D Graphics, 3D Graphics, Creative Work, Film, VFX / By

I’ve been a bit frustrated with this site for a while, because there’s all this fascinating work I do at Meta Reality Labs, that I’d really love to share. While I know many people are reeling under the changes from AI technology as well as the difficult time both game and visual effects creatives have been facing as everything changes beneath us… Please don’t think I’m unsympathetic (or unaffected) when I say this: there has never been a more exciting time to work in CGI.

“Exciting” and “challenging” go together. It means we are in a period of great change. But I’ve found over the years that these are the kind of times when people also tend to do their most meaningful work. This is one of those points when reputations (and fortunes) are made, and when new paradigms and possibilities abound.

If you’re a professional struggling to find work or establish relevance in a world which may not demand some of your formerly most attractive skills, allow me to suggest that you step back a moment and remember that you ARE still relevant. Yes a toddler can now seemingly generate an image or video that would only have been possible through great effort just a few years ago, or vibe code an application that formerly took a team of engineers. All that means is that YOU can do the same, as well as so much more, by leveraging your less obvious skills which have now become massively relevant.

– Eye for quality and detail. – Understanding of process principles to achieve top results. – Industry understanding of tools, methods, ways to approach challenges and visualize your end goals early. – Discipline to slog through difficulties to get to somewhere extraordinary.

You may not be able to do the work you’ve spent decades doing. But that doesn’t mean you lack value. Do NEW stuff. Ride this wave, and go further, faster than you ever dreamt was possible. Or, to be a bit more militaristic in tone: Adapt. Overcome.

Change is struggle. But it’s also opportunity. Figure out where your brass ring is, and reach for it.

Misc Shots

3D Graphics, Creative Work, Examples, Film, VFX / By

I haven’t edited an “official” demo reel in a very long time. People know who I am, and hire me for projects based on peer testimonial and having seen past work directly. A reel just hasn’t been needed, since I’m fortunate enough to be a freelancer who gets approached regularly. So when I started teaching students who knew nothing about me I had the challenge of presenting myself to an entirely new audience who were eager to see some work I’ve done in films. I really haven’t had time to edit much, so instead I spent an evening grabbing various shots from films and the like. Stuff I’ve either worked on directly, supervised, or had some hand in.

I have only grabbed a portion of the films I’ve worked on, plus some TV and game stuff, pretty much in the order they were stacked on my desk. The choices are fairly miscellaneous – at the moment I just don’t have time to go through film after film and say “oh yeah, I did that,” then tighten it all down into an edit with music and polish. I know, this breaks all the rules where I’m supposed to present only the very very best, nothing less. But the policy that seems to work best for me is to just be open, good or bad just get it out there and get back to making the next thing. I will never be a charismatic showman or clever self-promoter. I’m a creative geek and frankly I like showing failures, too. It’s part of the process, and that’s what really motivates me.

So all of that said, here’s about 6 minutes of footage and, well, stuff. I basically play it in the background when I introduce myself to students, so it is what it is. Enjoy!

Vampires and the Presidency

3D Graphics / By

Some early reviews for ALVH. I grew quite fond of this film while working on it, I’m hoping viewers will have a lot of fun seeing it. Ok, ok I know… It was a ridiculous premise that worked well in the novel but which may simply be ludicrous on screen. And I know, there were people who didn’t like the campy stuff, they retiming or color, etc etc ad infinitum. But it’s a vampire film, not a period drama. Have fun with it.

There is innovative atmosphere galore: this doesn’t look like much of anything we’ve seen before. Mostly, though, the overwhelming impression I’m left with is sheer delight, that Abraham Lincoln: Vampire Hunter is so very much better than it has any right to be.

Full Review

Here’s another…

But the film’s title tells the whole story and sets the stage for its over the top action and freight train like pace. It’s called Abraham Lincoln: Vampire Hunter…Let’s have some damn fun. There are a lot of amusing nods to historical events and characters that anyone with a high school diploma will find entertaining. But it’s the overall feel of the film that I loved most. Beside’s Walkers spot on Abe, it’s a very dark and violent film.  Initially I was sure the studio would want to sell as many tickets as possible to a film that had vampire in the title and slap a PG-13 rating on it. However, Fox, trusting a successful R-rated director in Timur, held nothing back and the film is better for it.  It’s incredibly violent and features vampires in the correct and demonic light with which they should be seen.  It’s not overly campy but it’s just enough to smirk at and you’ll find yourself saying “Really?” only a few times. The action is far too much fun and grabs you from the first axe swing till the last twirl. Abe’s axe is the new bending bullet.

Full Review

And some viewer reviews from early screenings look promising…

So I saw the first ever premier of the movie. First of all don’t let the title scare you, this movie is an action packed, fun flick. The best part of the movie is definitely the Action scenes, the special effects are awesome. There are some very innovative scenes, and great cinematography. The director used a lot of cool angles with a bunch of slow mo special effects. The plot is decent and there are no lulls, the action picks up right when the movie needs a boost. The vampires look great as well, especially Erin Wasson as Vadoma… gotta love hot evil vampire chicks.

Viewer Reviews

Overall I was very impressed, having never read the book I did not really know what to expect. Acting was good, nothing Oscar worthy but no poor performances….the action was absolutely fantastic. It was over the top, fast paced, bloody, and very well done. If you don’t mind seeing vampires getting hacked, slashed, and bashed to death in a wide variety of ways, you’ll enjoy this movie.

Viewer Reviews

I’m looking forward to seeing the public reaction to ALVH in the theatres: go check it out and let me know what you think. :D

Progression of a shot

2D Graphics, 3D Graphics / By

I had nothing to do with the making of Tangled, but it’s a great Disney film which blew me away, and I always like “making of” breakdowns. So I took a look at this, and felt it did such a good job of showing how a successful final result comes from a steady progression of improvements. Whether you’re making a fully animated film or a live action sequence, the best results come from a back-and-forth iterative process of test images to build up the final product.

In today’s “faster/cheaper” production mentality there is often significant pressure to reduce iterations and the time spent making a shot – if you watch through this sequence and imagine cutting out a lot of the improvements you see which are made over time you can get a feel for how the extra time and effort makes all of the difference. The flip side of this, of course, is that without good artistry and good direction all the time in the world won’t make a difference.

Too many great ideas are killed by a rush to minimize costs and get stuff out fast. This may make profits for those who deal with high-volume-low-quality kinds of projects, but I note that the giants with some of the most incredible work (and full coffers) tend to follow a mentality where extra time, effort and resources are spent to make a final product which is clearly of superior quality.

In the end, quality pays, and its the result of investing in talent, tools, and organization.

In this sequence we see a lot of things being done right…

  • Time taken for previsualization.
  • Tools available to allow communication via painting on frames, showing thought and investment in pipeline.
  • An area set aside for the artist to make reference, showing insight into artistry and the willingness to spend money to enable it.
  • Many iterations, showing time was spent to get the shot right, and the production was organized with regular milestones in place (and time set aside to achieve them).

The final result, a great film which not only was a creative success but one which did well financially ($590 mil box office revenue and a new and lasting Disney heroine providing decades of continuing income.)

Abe Lincoln: Vampire Hunter is Awesome

Creative Work / By

FearNet has a nice post on Abe Lincoln, Vampire Hunter. Here’s my favorite bit:

– This movie puts vampires back where they belong, and that’s as bad guys and not    heartthrobs; who should be beheaded with an axe and not kissed by tweens. That’s what you can expect. Badass vampires getting treated like the killers that they are.

I can’t tell you how awesome working on this one is. By far it’s the most creative and enjoyable project I’ve worked on in years. It’s a really fun film.

From filmofilia:

Vampires. Axes. Lincoln. What's not to love?

“Visionary filmmakers Tim Burton and Timur Bekmambetov (director of Wanted) bring a fresh and visceral voice to the blood-thirsty lore of the vampire, imagining Lincoln as history’s greatest hunter of the undead.” 

Starring Benjamin Walker, Dominic Cooper, Anthony Mackie, Mary Elizabeth Winstead, Jimmi Simpson, Robin McLeavy, Alan Tudyk and Rufus Sewell.

If you want to see more cool official pics from the film, try this article at bestmoviesever. Good stuff!

Coming soon.

Creative Work, Miscellaneous / By

http://www.youtube.com/watch?v=7krwq5hZPY0&feature=youtubegdataplayer

Update: It’s out, but Disney marketing seems to have melted down and the result has been poor box office returns. A pity, because it’s actually quite fun and well worth a watch. Seriously, it’s a good film – watch and see for yourself. :D

Garman posts some thoughts about dailies

3D Graphics, Creative Work / By

Garman Herigstad once gave me a slew of advice years ago, and every bit of it has proven useful to me over the years. So when he voices an opinion, I listen. Such is the case in his most recent blog post where he discusses dailies.

Dalies are at the heart of VFX. It’s where artists get feedback and develop their eye. It’s where production is kept on track. It’s also where seniors develop opinions on their artists, where directors evaluate their teams, and where critical choices are made.

My best advice for artists attending dailies for the first time is to be quiet and pay full attention. Take notes, as Garman suggests. Keep your mouth shut unless your input is needed or asked for. Never lie, never try to spin anything, never be defensive or explanatory – just listen to the instructions that are given, ask questions if anything is unclear, and be professional.

20120107-100501.jpgThe people evaluating the work are almost always aware of issues or concerns an individual artist is not exposed to – a VFX sup may be thinking about continuity with other shots, upcoming changes, or criteria passed down from a director. The leadership attending or running the dailies may also not have much time, or the viewing theatre may have other teams waiting, so the general rule is to let the person(s) making decisions quickly and accurately evaluate what they are being shown, make a decision, and convey that decision as directives for action.

And always, always as an artist address the notes you are given. The people giving notes remember what they ask for, and nothing infuriates a director or VFX sup more than to give the same notes over and over. If you are dialing in towards a result, ie if the notes are on the order of “more” or “less,” that’s ok. But if the notes keep coming back as “where’s the fix?” then you are probably pissing someone off.

Anyway, it’s a good read, on an important subject, from a knowledgable source worth listening to.